Otolathe

K. Paul has evolved a strange aesthetic over the past few years, based on an extremely restless conception that music should take risks and fail sometimes. "Experimental" music should be just that: an unpredictable adventure that does not respect the restraints of genre. Otherwise, why not play cover tunes? So saying, no two OTOLATHE shows are ever the same. Compositions are based more on the array of possible options, rather than variations on existing musical syntax. Whatever that means. Since it is K. Paul who is actually writing this copy in a third-person manner, he quite naturally is getting bored with trying to explain the nonverbal ideas he habitually expresses using sound and noise. In fact, he has been noted in the past to characterize others' writings about music in pungent terms, summarizing it as pretentious drivel. If you are reading this far, you may as well just download something.