Experimental's releases

"The whole is greater than the sum of it's parts" was the statement used to describe this during it's submission phase in late 2008.
From that, thirty-eight individual artists from across the globe submitted tracks that were used to create this "collaborative" release.
Each track is named in accordance with which artist's tracks are used.
There is a slight loss of identity with something like this, but if you listen close enough you'll be able to tell who did what.
And if not, that just gives you that much more reason to seek out the individual artists :)

These tracks were the outcome of attempting to wrangle as many interesting sounds out of a mixer with the gain turned up on each individual channel while 1/4 inch chords (plugged into only the mixer) fed back, buzzed and hummed.
In a nutshell, this approach employed feedback looping and other minimal-input tinkering, using two busted RadioShack mics, a noisey little mixer, a bunch of faulty chords, one cheap distortion pedal, one effects rack mount thing (Zoom 1204) and a pair of headphones for more feedback.

Mister Limey tells a story of an adventure through both time and space.
Layers of harsh noise are coupled with atmospheric textures to give the listener a sense of movement and space.
Subtle use of traditional musical instruments along will natural rhythms and oscillations help to keep it all relevant.
Best served in complete darkness at full volume.

The March Issue is HUNKER DOWN ROY's effort to twist your earbrain up into an unfamiliar knotspace.
Hints of madness and method entangle you as you listen to it.
This release features contributions from the notorious Crash Mitchell, as well as remixes by Mike Love 666 and Bloxwhich Bitch Box.